Offering alarming proof of the escalating effects of climate change, in November 2019 bushfires blazed through New South Wales, scorching more than five million hectares of land following Australia’s hottest and driest year on record. In December 2019, the fires swept through the Adelaide Hills, destroying 650 ha of vines in the region, and wiping out entire vineyards. Making matters worse, the smoke from the fires was far-reaching, rendering vineyard plots from Canberra to the Hunter Valley useless. Ravaging an estimated 24.3 million hectares of land in total and destroying over 3,000 buildings, the September 2019 to March 2020 bushfire season – Australia’s costliest natural disaster in history – became known as the ‘Black Summer’ due to the size, intensity and duration of the wildfires, which were caused by exceptionally dry conditions in the country.
Fire and smoke damage
Over 1,500 hectares of vineyards were destroyed by the wildfires, with the majority of the damage concentrated in the Adelaide Hills, Kangaroo Island, Tumbarumba and parts of northeastern Victoria. Among the producers worst hit was Vinteloper in the Adelaide Hills, which lost 95% of the vines planted at its 30 ha property. Owner David Bowley’s home was also destroyed in the blaze.
One of Australia’s most revered wine estates, Henschke, also suffered damage from the fires, losing 95% of the crop at its 25 ha Lenswood vineyard in the Adelaide Hills, along with two sheds and vineyard equipment. Among the losses at Lenswood were some of the oldest Pinot Noir vines in the Adelaide Hills region, which were planted by Tim Knappstein in 1983. At the time the fires hit Chardonnay and Pinot grapes were still hanging on the vines, but the levels of smoke taint were so high that owners Stephen and Prue Henschke abandoned hope of picking a single grape, leading to yield losses of 70% across the board.
While the havoc wreaked on the Adelaide Hills was brutal, it didn’t have a huge impact on the 2020 output of the Australian wine industry at large, as the region only accounts for 1% of the country’s total wine production and 1% of its exports in terms of value. The engine room of Australian wine production – the Riverland – emerged relatively unharmed, so in volume terms, the damage from the fires was minimal. The bigger problem facing producers was smoke taint, which was far wider-reaching than the fires, leading a number of top producers to scrap their 2020 vintages altogether, or produce a fraction of their usual output. The first vintage affected by smoke taint on a major scale since 1969, Wine Australia estimated that the combination of fire and smoke damage amounted to losses of around 4% of the country’s average tonnage – around 60,000 tonnes of grapes – in 2020. High levels of smoke taint forced Tim Kirk, chief winemaker and CEO of Canberra estate Clonakilla, to abandon the 2020 vintage entirely for the first time in the winery’s 49-year history. “Once the grapes were ripe enough we began sending samples off for testing. The results confirmed our worst fears: highly elevated levels of smoke taint. At that point we had no other choice than to write off the vintage,” Kirk says – a decision that cost the estate “multiple millions of dollars”.
Strategies for a hot climate
Helping Kirk in his hour of need was Yalumba’s chief winemaker, Louisa Rose, who offered him some of her Eden Valley Viognier and Shiraz. To protect her own vines in the fight against global warming, Rose has grasses growing between the vines and mulch to cool down the soils and preserve moisture, while canopies help protect the grapes from direct sun and trellising provides shading and keeps the grapes cooler, helping them to ripen more slowly. When things get really hot, Rose applies a fine layer of white clay called kaolin on her grapes, which acts like sunscreen, mixing it with water and spraying it on the vines to stop tissue damage from excessive heat, which is proving an effective way of maintaining acidity in the grapes and slowing down the ripening process.
Rose admits that when it comes to bushfires, there is very little that wineries can do to protect themselves in the event of one breaking out. “If there’s a bushfire next door to you there’s not much you can do about it, but a lot of research has been done in Australia around early detection of smoke taint, which impacts on picking and bottling decisions. You could turn your Pinot into a sparkling wine, for example, as there’s no need for skin contact that way,” she says. From a quality assurance point of view, using a FOSS WineScan™ analyzer enables Rose and her team to make quick and informed picking decisions. “It’s great to have that ease and breadth of analysis at a minute’s notice, which helps us with decisions around analytics. Winemakers make decisions on how a grape tastes, but it’s all about balance, and the numbers are really important to back up the decisions we make with our palates,” she says.
Chester Osborn, the charismatic chief winemaker at d’Arenberg in McLaren Vale, has various tricks up his sleeve when it comes to mitigating the effects of rising temperatures, from water management and canopy protection to composting and keeping nitrogen levels in the soil low in order to produce thicker and more resilient grape skins and a firmer pulp. He’s also rethinking his plantings to incorporate more heat-resistant varieties. “We’ve been working with hotter climate varieties for some time now from Spain, Italy, Portugal and the South of France. I’m very happy with how well these grapes grow in McLaren Vale,” he says. Among them are French varieties Carignan and Cinsault, Italian grapes Sangiovese and Sagrantino, and Spanish natives Graciano and Mencía, which are “producing solid, strong berries with good colour”, and, according to Osborn, “could be a replacement for Shiraz down the track”. When it comes to heat-resistant whites, Osborn is seeing success with Rhône trio Marsanne, Roussanne and Viognier, while he believes Italian white Fiano is “extremely well suited to McLaren Vale – perhaps even better suited than its homeland of Campania.”
Protecting quality
Prioritising quality over profit during the Black Summer of 2020 was Hunter Valley-based Tyrrell’s, which slashed its 2020 crop by 80% due to high levels of smoke taint, amounting to AU $3.5m in sales losses. “From mid-October we had bushfire smoke across various parts of the valley. We went through a series of tests for smoke taint with the Australian Wine Research Institute, and, based on the results, we made the decision to not pick anything that was over the recommended limits – around 80% of our crop,” says owner Bruce Tyrrell, who believes producers that allowed smoke-tainted wines from the 2020 vintage to enter the market risked damaging their neighbours’ reputations.
Frustratingly, Tyrrell reveals, there is no way to protect against smoke taint. “Grape selection is impossible because there is no way of determining it on a berry-by-berry basis. We have learnt to reduce smoke taint by about 50% with some fairly brutal processes in the winery, which means we can make decent commercial wine but no top-end wine,” he says. And while smoke taint analysis has improved dramatically in recent years, by the time you receive the results, the damage has already been done. “Smoke taint analysis is very good at the moment, however it only tells you what you’ve got when it’s too late,” says Tyrrell. “Sometimes it can take three years or more for smoke taint to show up on the nose or the palate of a wine. Luckily, we have the ability to test for the relevant compound and that can stop you spending money on a vineyard that’s never going to be any good.”